“MONKS : Legends & Traditions Solo Show of Paintings by well-known artist Vijay Kiyawat

 Born in 1946, Vijay Kiyawat is a recognised contemporary artist celebrated for his distinctive watercolours. His paintings are adorning the walls of corporates like Goldman Sachs, and art lovers in Australia, Brazil, Dubai, Germany, Guyana, Japan, Singapore, Switzerland, Unites States, and of course India. 

An IIT-trained engineer and corporate CEO for over four decades, Kiyawat embraced his artistic journey later in life, drawing on a unique fusion of analytical precision and creative expression. 

Kiyawat’s artistic foundation was shaped through mentorship under esteemed artists including Manish Pushkale, Vasundhara Tewari Broota, Late Surinder Kaur, and Rajesh Sharma in Delhi, Julie Cohn in Berkeley, California, and Raymond Yap at NAFA-Singapore. 

His works reflect an enduring connection with nature, influenced by the lush gardens, trees, and flowers of Delhi. Describing watercolour as his "spiritual medium," Kiyawat's paintings resonate with optimism, serenity, and a touch of surrealism. His inspirations stem from literature, his extensive travels, and the study of nature. His compositions weave narratives and philosophies, inviting viewers into a world of soft, vibrant colours and intriguing mysteries. Admirers of his art affectionately refer to them as "Happy Paintings," a testament to their uplifting impact. 

Kiyawat’s works have been exhibited nationally and internationally. Notably, the AIFACS and Camlin have showcased his art multiple times through national competitions, and his participation in senior artists’ camps organised by AIFACS further highlights his stature in the art community. His solo exhibitions span New Delhi, Mumbai, and Singapore, while his group shows have reached audiences in India, London, the United States, and Singapore. 

In 2014, his exhibition at the India Habitat Centre in New Delhi was featured in their annual journal. 

His dedication to promoting art extends to his nomination as a Member-General Council of Sahitya Kala Parishad (SKP), an academy of the Delhi Government. Through his art, Vijay Kiyawat exemplifies the harmonious blending of analytical precision and boundless creativity, leaving an indelible mark on the contemporary art world.

Beyond painting, Kiyawat is a passionate pianist and avid birdwatcher.

 “MONKS”

Legends & Traditions

Solo Show of Paintings by well-known artist Vijay Kiyawat

 Date: 24 Feb - 2Mar 2025

Time: 11 am to 7pm. 

VENUE:

Jehangir Art Gallery

61-B, M.G. Road

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm.

Contact: +91 98100 38212

Anand Prabhudesai symbolically used the “Madhyama” (middle) finger in his art to express personal emotions, ideas, and societal contradictions.

 

“Madhyama”

In the 20th century, Dadaism revolutionized the nature of art. It mocked traditional art, literature, and societal values, focusing instead on creating with the aim of making bold statements. Rejecting aesthetics and creativity, it emphasized absurd, chaotic, and incoherent art forms. Sensibilities were reconstructed to resist the brutality of war, while opposing traditional societal ideologies. This impact resonated globally, although regional aesthetics continued to influence artistic creations.

During this period, the influences of formalist and expressionist ideologies persisted in art creation. Formalism viewed art as a neutral and pure technique. According to this perspective, the personality or emotions of the artist were excluded from the artwork, focusing instead on the techniques, tools, and structural characteristics of the art itself. Formalism advocated for viewing art purely for its formal qualities. The artist’s emotions, messages, or intentions were deemed irrelevant. Artistic standards emphasized technical components, with no room for the personal interests of the artist or the audience. This philosophy valued art for its formal strength, employing systematic thought, strategies, and rules.

On the other hand, expressionism leaned more toward personality and emotions. It prioritized the artist’s feelings, personality, and experiences as the foundation of art. Emotional connections between the artist and the audience were considered the primary source of beauty in art. Through this ideology, artists powerfully expressed their emotions and thoughts. The ultimate goal of art was to establish an emotional dialogue with the audience’s inner self, offering not just aesthetic experience but also a fresh perspective on ideas, concepts, and experiences..

Drawing from this ideological framework, Anand Prabhudesai symbolically used the “Madhyama” (middle) finger in his art to express personal emotions, ideas, and societal contradictions. In Indian philosophy, the middle finger is a potent symbol representing various emotions expressed in philosophy and art. Typically, the middle finger is associated with anger, resistance, freedom, rebellion, and protest against injustice.  

By using the middle finger, Anand clearly conveys his emotions and ideas. This gesture is not merely a physical symbol but, through sculptures, delivers a profound social and political message. The striking element in these sculptures is the imprint of famous paintings. However, “Madhyama” encourages viewers to reflect deeply. Through his middle finger and the imagery of these famous paintings, Anand establishes an impactful dialogue, attempting to awaken viewers. This approach renders his art more meaningful and thought-provoking. His use of the middle finger powerfully critiques social and political systems. Historically, many artists have used this symbol to oppose the atrocities of ruling classes. Artists have employed the middle finger in their art to protest against inequality and injustice, delivering their messages to the audience.

Through his sculptures, Anand rejects the policies, actions, and ideologies of the ruling classes. This makes his sculptures impactful not only from a personal emotional perspective but also in terms of social and political significance.

Anand’s sculptures (“Madhyama”) are a powerful medium of communication. Through this symbol expressed in art, he has strengthened the relationship between the artist and the audience. The ways in which he has used and presented the middle finger adapt according to emotional, social, cultural, and practical contexts.

 . This dialogue does not merely offer an aesthetic experience but becomes a voice against injustice, dominance, and inequality in society. While formalism values the technical purity of art, expressionism emphasizes the intrinsic emotions and philosophical messages within art. Similarly, Anand’s choice of the middle finger as a powerful symbol gives new meaning to his sculptures in diverse social and political contexts, making it an effective tool for awakening society.

Smita Nilesh … 2024

“Art Continuum” A Journey Through Artistic Expression

“Art Continuum”

National Level Art Exhibition - Participating artists are from Maharashtra, Delhi, Gujrat, Hyderabad, Bangalore, Kolkata, Goa

 

This Grand exhibition is a harmonious convergence of 25 revered contemporary artists, hailing from the present art world. The talented and renowned artists participating in this exhibition include Mohan Naik, Pradip Sarkar, Kappari Kishan, Bhiva Punekar, Shashikant Patade, Chandrakant Tajbije, Ravindra Toravane, H.R. Das, Pravin Utge, Nilesh Dada Nikam, Paras Parmar, Mamta Rajesh Bora, Dr. Shefali Bhujbal, Deepak Garud, Damodar Madgaonkar, Mohit Naik, Jayshree Savani, Medha Nerurkar, Qureysh Basrai, Mita Vora, Taslim Jamal Sona, Rakhee Shah, Seema Shah, Shailesh Gurav, Paneri Punekar among Others  

In this spirit, we present a unique exhibition – Art Continuum. This groundbreaking show embarks on a nationwide odyssey, showcasing the nuanced beauty of Indigenous artistic expressions alongside the unseen vibrancy of contemporary art from both urban and rural landscapes.

 

Art Continuum debuts its captivating journey in the esteemed halls of Nehru Centre Art Gallery, Worli, Mumbai gracing the capital city from 11^th to 17^th February 2025. The show boasts a dazzling display by 25 renowned contemporary visual artists from across the country.

 

This exhibition represents a culmination of the Artival Foundation's unwavering dedication to fostering artistic expression since its inception in 2018. Founded by Satish Patil and Sharad Gurav, the Artival Foundation is a non-commercial haven for both established and emerging artists in India. With a particular focus on amplifying the voices of folk and tribal artists often unheard in the mainstream, the foundation provides a platform for artistic dialogue and recognition.

 

Art Continuum transcends a mere exhibition, epitomising a year-long endeavour. The show brings together renowned artists and those on the cusp of recognition, fostering a spirit of inclusivity and accessibility. In today's rapidly evolving digital age, Art Continuum serves as a powerful reminder of the enduring human connection with art.

 

The exhibition embarks on a national tour, visiting renowned galleries in various Indian cities. This journey aims to celebrate the lesser-known voices and the unique artistic tapestry woven by diverse regions.

 

Sushma Sabnis

Mumbai 11^th to 17^th February 2025

ARTIVAL FOUNDATION Presents

"ART CONTINUUM"

An Exhibition of Paintings & Sculptures

 

VENUE

Nehru Centre Art Gallery

Dr. Annie Besant Road

Worli, Mumbai 400018

Timing: 11am to 7pm

 

For More Details 

CALL / WHATSAPP 

+ 91 9920804573

+ 91 9833949788

“Urban Whispers” by Ajit Deswandikar

The Metropolis and Beyond: A Critique of Ajit Deswandikar's Art 

Ajit Deswandikar’s work is a profound chronicle of modern urban life, seamlessly interwoven with natural elements. His use of acrylic and oil paints captures the essence of inner life expressions and states of mind, showcasing his remarkable talent.

 

A defining feature of his art is the interplay of space and objects. Deswandikar’s paintings often include everyday elements like human figures, carts, farmers, and industrial workstations, creating a rich tapestry that draws viewers into an interactive experience. This approach transcends mere visual appreciation, offering a deeper aesthetic concept.

Deswandikar’s work delves into the contradictions and possibilities of urban environments. By exploring the binary patterns of perception and transcendence, he invites us to look beyond the empirical world and engage with a more profound understanding of reality. His use of transparent flows and opaque paint applications supports the expressive spontaneity of his subjects.

 

His paintings encourage deeper engagement, transforming viewers from passive observers into active participants who complete the narrative. This process-oriented approach emphasises the relational origin of art, connecting the painter, canvas, viewer, and viewing conditions.

Deswandikar’s art subtly explores urban contradictions while suggesting a critique of metropolitan life. He urges us to first understand the inner, direct dynamics of things before addressing the external, indirect aspects.

Moreover, Deswandikar’s exploration of perception and transcendence pushes the boundaries of the empirical world, engaging viewers with invisible linkages between contemporary thoughts and personal memories.

In essence, Ajit Deswandikar’s art is a dynamic portrayal of complex thoughts and emotions. It invites viewers to experience the aesthetics of urban and natural life intimately. Each piece is an intellectual and emotional exploration, showcasing Deswandikar’s profound understanding of the relational nature of art and life, urging us to look beyond the surface. 

Artist Ajit Deswandikar 

“Urban Whispers” 

From 11^th to 17^th February 2025

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: +91 9322234057