WAS BEAUTIFUL NOTHING HURT
Site specific Bang. Biennale 2019, Kolkata, India
FAMILY BUNKER
Growing up in a communist country has influenced my work in unforeseen manners. My work reflects the collapse of a utopian social and political context in 1991, resulting in a sense of emptiness, confusion, and constraints.
Family Bunker depicts a phantasmagoric element of the past, the bunker, which appears in the lives of the new generation, often in their own property, causing confusion. I aim to address the unspoken trauma that is passed on to future generations.
Mix media on canvas, 110 x 180 cm, Tirana 2007
"My brother is the biggest man in the world"
For an independent artist, it doesn't make much difference whether he is alone in his studio or alone in quarantine. It was a pleasant feeling not to be ashamed of not running to a certain job every morning. It was a feeling of unity with the world, even in the worst times. I liked when the air became cleaner during quarantine and I felt a slight nostalgia for the radiant air of this landscape in Albania. This painting, made during quarantine, depicts the summer days on the silent and wild beaches of Albania.The moments and landscapes we took for granted.This beach is not longer the same. The beaches have been stolen from the stupidity of people greedy for reach. It is a phenomenon that accompanies Albania as it opens up to the world and shapes a new identity, at a cost that we do not yet know how high it will be for us.
Acrylic, pencil, spray on canvas; 50 x 70, 2020
HAPPINESS OF THE OTHER
is an ongoing series, divided into three parts.
HAPPINESS OF THE OTHER italiian series 2018
HAPPINESS OF THE OTHER albanian series 2019
The first and second one relate to the Second World War in Austria and Italy, where the focus is on women and children who did not actively participate in this war. However, they were family members of men who served as soldiers in the SS or in other positions. These two series are being shown at the Nippon Gallery Mumbai 2022.
Elsa Martini graduated from the Academy of Arts in Tirana in 1996 in monumental painting class, then certified by the University of Applied Arts in Vienna in 2011 and Institut für Kulturkonzepte in 2012.Martini is a conceptual artist who has developed a complex artistic practice over the decades. She sought the approach to broaden the horizons of the works, which move between painting and multimedia, site-specific and performance. The artist deals with tensions between the individual, society and environment; examines and reflects on personal behavior and social trauma, questioning boundaries, space, environment, and gender issues. Elsa Martini is also passionate about exploring other cultures. At different times, we witness vernacular influences in her works.
Elsa Martini – www.instagram.com/elsamartinistudio/
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